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Investors
run with bulls in indie
financing
Feb.
10, 1997
By
Robert Marich
More
money is chasing indie
projects than ever before,
making this the best of
times in the perennially
tough independent movie
sector, according to an
entertainment industry
panel.
Major
studios such as Fox, Disney
and Sony have set up units
specializing in distributing
independent films, and
there's a greater willingness
on the part of foreign
film distributors and
U.S. investors to lay
out cash, according to
an independent production
panel held Saturday during
the two-day UCLA Entertainment
Symposium.
John
Sloss, a Los Angeles film
attorney, said that a
John Sayles film shooting
in Mexico was the object
of "two billionaires
battling to invest --
and others were waiting
in the wings." He
said that eagerness came
despite the film being
shot in the Spanish and
Mayan languages. He declined
to otherwise identify
the investors or the film.
With
the U.S. stock market
at an all-time high and
pumping wealth into the
economy, "rich people
with money are willing
to invest in movies,"
Sloss said.
When
someone comes up with
compelling script, "I
think you'll always find
the money and talent"
to make the film, said
Michael Mendelsohn,
a Hollywood banker who
also produces films through
Century City-based Patriot
Pictures.
Michael
Helfant, executive vp
of producer Interscope
Communications, thought
that the major studios
setting up speciality
film divisions "is
a good thing" because
it pumps more money into
the independent sector.
Sloss
said he expects cable
network Bravo to introduce
an independent film funding
program soon, joining
HBO and Showtime in the
ranks of TV outfits pumping
up indies.
A
necessity in assembling
independent films is persuading
star talent to work for
a reduced upfront salary,
since indie films are
not aimed as the mass
market. Robert Newman,
an agent at International
Creative Management, said
a continual sticking point
to such salary-reduction
deals is talent's fear
of being shortchanged
in downstream profit participations
payouts.
Agreeing,
Sloss pointed out major
studio specialty divisions
typically exclude 80%
of lucrative video revenue
from profit participation
calculations, so there's
little incentive for talent
to work for reduced pay
rates.
With
indie film "Pulp
Fiction" putting
the careers of John Travolta
and Bruce Willis on the
comeback trail, Avenue
Entertainment Group president
Cary Brokaw said independent
producers should consider
established Hollywood
stars who are out-of-favor
as prime candidates for
projects. Such stars will
consider taking "risks"
with low-paying, high-prestige
indie films, Brokaw said.
In
a separate panel, Warner
Bros. International Theatres
president Millard Ochs
said his circuit's planned
30-screen megaplex movie
houses will allocate a
handful of screens for
upmarket indie fare, another
piece of good news for
the sector. The indie
screens will have separate
entrances, since the older-skewing
indie filmgoer tends not
to want to mix with the
core youth audience that
heavily patronizes mass
market films.
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