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Financial case study: 'Lord of War'
A look at the indie financing for Cage pic

By SHARON SWART

In one of the biggest pic finance deals to be assembled in recent years without the presence of a U.S. distrib, French producer Philippe Rousselet managed to cobble together $50 million for his first English-lingo project, "Lord of War."
The road wasn't easy, and even as cameras were rolling on the first leg of the shoot in Gotham last month, deals were yet to be finalized. "The financing closed a week after we started shooting," says Rousselet. "That's how difficult it has been to put this thing together."

Pic, now before cameras in South Africa, stars Nicolas Cage, Ethan Hawke, Bridget Moynahan, Donald Sutherland and Jared Leto.

It all started for "Lord of War" a few years back, when Rousselet's old friend, CAA agent Rick Hess, gave him Andrew Niccol's original script. "Basically it's the story of the rise and fall of a Ukrainian-born gunrunner who lives in the States -- 'Goodfellas' in the world of arms dealing," says Rousselet. "It's a brilliant script but the studios all turned it down.

"It was right before the war in Iraq and the content of the film made the timing completely wrong for studios. In order to make this film, we'd have to make it the independent way."

That meant checking in with different soft-money and equity sources, and banks and foreign sales entities. Depending on the combos at various points along the way, "Lord's" budget stood at $15 million and $30 million before today's $50 million. "Our first financing plan we put together is night and day with what we have today," says the producer.

At one juncture, "Lord" was to tap U.K. tax fund Movision, but when cast and locations started to add up, the swelling budget precluded it from working with the British fund due to preset caps under Section 48 laws.

The script, explains Rousselet, calls for scenes in 12 to 13 different countries, requiring a nine-day shoot in New York, 10 weeks in South Africa and one week in the Czech Republic. South Africa was chosen for its infrastructure and incentives.

"They're very well equipped and have fantastic crews, and we're applying for the new South African rebate that allows you to get 15% back of all your expenditures (in the country)," says the producer. But because the incentives were only available starting July 1, applying any of it to the budget or financing the credit with a local bank proved tricky.

"We are still in discussions with the Rand Merchant Bank and another possible investor. You also need to spend the money first (before cashing in on the 15% rebate)."

"Lord of War" did hang on to Movision's sales company of choice, Arclight. "They've done quite a good job selling it," says Rousselet. Pic now has distribution in every territory except the U.S.

According to Rousselet, the current financing makeup combines foreign sales, bank debt (via Citibank West), and German Tax Fund VIP3 (via L.A.-based Ascendant Pictures). Rousselet is gapping the remainder with his money and other equity.

"I didn't have a choice," Rousselet says about his personal risk. "If I had not put my money on the table, there would not be a film."

Copyright 2004, Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.